For a brief week, the Seattle International Film Festival was able to bring Manchester International Festival’s production of Macbeth to the Uptown Theater in Seattle. As a part of a series called National Theater Live (which includes Othello with Adrian Lester and Frankenstein with Benedict Cumberbatch and Jonny Lee Miller), this production stars the illustrious Kenneth Branagh as the titular Scottish King. I was lucky enough to get tickets to see this thunderous play.
Co-directed by Branagh and Rob Ashford, the production was spectral, but appropriately stark. A lot of the eerie desolation came from the fact that it takes place in a deconsecrated Manchester church. The floors of the church were ripped out, so the stage was a pit of austere earth across which the witches skulked and the Scottish thanes clashed bloodily. Rain was poured unsparingly onto the actors. The dim lighting was the perfect harshness for this sinister play.
This summer the Los Angeles based Troubadour Theater Company is reprising its role as masters of the Shakespearean mash up. Ladies and gentlemen, I give you A Midsummer Saturday Night’s Fever Dream.
You may have guessed it, though you might not believe it: one theater company has poured all the funk, bellbottoms, and embarrassing dance moves of 70s disco into the world’s most timeless romantic comedy ever to be written in iambic pentameter. But lest you think this is a joke, you should know that the Troubies (as they’re affectionately known round these parts) are old hands at the genre. After all, these are the folks who brought you…
OthE.L.O., Fleetwood Macbeth, As U2 Like It, and every actor’s dream Hamlet, the Artist Formerly Known as Prince of Denmark