Helen Fielding Working on New Bridget Jones Novel (v.g.)

Everyone’s favourite singleton to be thrust into the brave new world of Twitterature.

It’s been thirteen long years since a new volume of Bridget Jones’ diary, with all its obsessive weight woes and love laments, has been unleashed upon the world. In that time, fanatics have had to content themselves with reading the series’ two books over and over again, to the point of having memorized them by rote. (Okay, maybe some of us are more fanatical than others.) But the agonizing wait is finally over: Helen Fielding has confirmed that she is working on a new Bridget Jones novel to be released late next year. Hurrah!

And one of the most interesting tidbits to come out of Fielding’s announcement is how her writing and Bridget’s life will be thrust into the world of 2012. Instead of beginning the day with her routine account of weight, alcohol units drunk, calories consumed, and 1471 calls made, Bridget’s diary entries will begin with a tweet. Says Fielding, “It’s more like ‘number of Twitter followers: 0. Still no followers. Still no followers.’”

Perhaps Fielding will take it a step further. What if Bridget’s diary was not on paper at all? What if she has discovered the world of blogging, even tumblr, or instagram? Not only does the new medium give Fielding lots to play with, it gives Bridget an infinite number of worries to obsess over, like the number of visitors she has on her online dating profile, or her mother’s permeating presence on Facebook. Worries that make her just like the rest of us, regretful though we are to admit it.

In the age of social networks and text messages, Bridget has the power of instant drunken replies.
Oof, tumbled over.

As for the story at the heart of the work, it’s a mystery as to whether the perennial men of Bridget’s life, sensible Mark Darcy and reprehensible Daniel Cleaver, will be making an appearance. “Some characters remain and some may have disappeared,” Fielding said. “They’ll still be presences in the book. Like all of us you keep your friends, people stay in your life, but everyone’s life moves on.”

What? Possibly no Darcy and Cleaver? But what will have become of Bridget? If she is to have aged in real time, that would put her in her late 40s to early 50s. Is she the tragic spinster retread she always feared she’d be, the threat of being half eaten by alsatians looming? Or the lonely single mother of a pair of troublesome teenagers? Fielding isn’t giving away much information.

She has grownup. My life has moved on and hers will move on too. She’s still trying to give up [drinking and smoking], she’s still on a diet. She’s trying a bit harder, and is a bit more successful, but she’s never really going to change.

Phew. Now all one has to worry about awaiting this twitterature-influenced Bridget Jones episode is avoiding eating the entire contents of one’s fridge. Non v.g.


What Are You Doing for the Next 30 Days? NaNoWriMo, That’s What

All you fellow writers out there know… tell anyone, anyone at all… the taxi driver, a sales clerk, your grandfather, what you do for a living and 50% of the time you will get  a version of the following: “A writer, huh? You know, I always thought I had a novel in me.” The other 50% of the time, you will get a variation of this response:  “I have always felt my life story would make a great book. I need to write that down soon.”

And who is to say that some of these people DON’T actually have a book inside them? (Well, we are pretty sure the gum-chomping girl at the Abercrombie does not, but then again, this is a real thing in the world.) During the month of November, you can tell those would-be writers, and perhaps yourself, to stop talking about it and really do it.

You will be in good company. NaNoWriMo is the acronym for National Novel Writing Month.  NaNoWriMo is a collaborative effort involving thousands of writers and millions of words.

According to the project’s website, NaNoWriMo is “the world’s largest writing event and nonprofit literary crusade. Participants pledge to write 50,000 words in a month, starting from scratch and reaching “The End” by November 30. “There are no judges, no prizes, and entries are deleted from the server before anyone even reads them.”

So what are you waiting for? November 1st is already half over… and you still have 50,000 words to go.


Some Pig, Some Book: Charlotte’s Web Turns 60

How E.B. White loved spiders before the rest of the world fell in love with his.

Some children’s books are truly timeless.

When you think of their titles, the very smell of their pages seems to seep from your memory, and you find yourself once again feeling those same emotions you felt on the first reading, or indeed any reading thereafter.

Charlotte’s Web is one of those books.

E.B. White’s classic tale has played a pivotal role in many a child’s upbringing. In fact, in a Publisher’s Weekly poll it was ranked as the most popular children’s book ever published. Today marks its sixtieth year in print.

The tale is so familiar to so many of us that I hardly feel the need to raise a spoiler alert. All the same, don’t read on if you don’t yet know the ending…

The body of the novel may concern a pig, a girl, and a series of barnyard animals to fill the backdrop, but at its heart is a remarkable spider, Charlotte A. Cavatica. Though a spider to many may seem like an unlikely creature to feel empathy for, the author obviously saw differently.

Charlotte’s Web had its beginnings in the Maine farm White ran with his wife Katherine Angell. One October day, White noticed a spider’s web in the corner of his barn. He watched as, over a manner of weeks, the spider in it spread her net wider and wider, eventually laying a tiny egg sac at its center. The spider was never to be seen again. When the time came for White to leave Maine for New York (and the farm for his steady job at The New Yorker), “he put the sac in an empty candy box, punched some holes in it, and absent-mindedly put the box atop his bedroom bureau in New York.”

Some weeks later, that precious egg sac began to breathe life. The author watched as tiny eight-legged spiders crawled out of the candy box, through the air holes he’d made for them.

White was delighted at this affirmation of life and left the hundreds of barn spiderlings alone for the next week or so — to spin webs from his hair brush to his nail scissors to his mirror — until, finally, the cleaning lady complained.

Thus also hatched White’s idea for Charlotte’s Web.

Interestingly, his fascination with and emotional attachment to spiders went back further than those first stirrings of the novel in 1949. White once wrote of the arachnids that “once you begin watching spiders, you haven’t time for much else.” Even one of his love poems to his new bride concerned a spider. This one he wrote in 1929 is titled “Natural History”:

The spider, dropping down from twig,
Unwinds a thread of his devising;
A thin, premeditated rig
To use in rising.

And all the journey down through space,
In cool descent, and loyal-hearted,
He builds a ladder to the place
From which he started.

Thus I, gone forth, as spiders do,
In spider’s web a truth discerning,
Attach one silken strand to you
For my returning.

So White was no novice in making a spider appear beautiful and regal rather than something to be feared. In Charlotte’s Web, he instilled all of the attributes in Charlotte that made us fall in love with her; she was kind, honest, a truly loyal friend, and of course a great writer, too. It wasn’t long before she spun a web around children’s hearts everywhere.

And when we cried at Charlotte’s death, White was right there with us.

So great was the author’s love for his character that in 1970, when it came time for him to record the audio book, he had a difficult time reading the passage wherein his beloved spider passed. In the end, it took 17 takes for White to get through the following paragraph without his voice “cracking or beginning to cry.”

The fairgrounds were soon deserted. The sheds and buildings were empty and forlorn. The infield was littered with bottles and trash. Nobody of the hundreds of people that had visited the fair knew that a gray spider had played the most important part of all. No one was with her when she died.

It wasn’t the first time a reader cried over Charlotte, nor will it be the last. Wilbur may have been some pig, but Charlotte was certainly some spider, and White’s story is one very special book. If those who remember her now have anything to do with it, Charlotte’s story will be celebrated in another sixty years as one of the most beloved children’s novels of our, or indeed of any time.

To hear White read the passage above, head to NPR’s Morning Edition story, which includes an interview with Michael Sims, author of the biography The Story of Charlotte’s Web. You can also listen to E.B. White read an excerpt of Charlotte’s Web via an NPR recording at this link.

Charlotte’s Web on eNotes:

Charlotte’s Web Study Guide

Lesson Plan

and Q&A

 


“All this happened, more or less”*: Ten Great Opening Sentences in Fiction

Sometimes the opening sentence of a novel comes down on you like the safety bar on a roller coaster. That first line locks you in; you tingle with excitement, anticipating the ride that is to come. Here are ten of the most engaging lines that begin works of fiction, some classics, some new, some you may never have heard of, but all captivating:

1.  It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice 

2. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina

3.  It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984

4.  “To start with, look at all the books.”  Jeffrey Eugenides, The Marriage Plot 

5.  “They met at the museum to end it.”  - Johnathan Lethem, You Don’t Love Me Yet

6.  “Ours is essentially a tragic age, so we refuse to take it tragically.” D.H. Lawrence,  Lady Chatterley’s Lover

7.  “I did two things on my seventy-fifth birthday.” John Scalzi,  Old Man’s War 

8.  “It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York. – Sylvia Plath, The Bell Jar

9.  “She was so deeply imbedded in my consciousness that for the first year of school I seem to have believed that each of my teachers was my mother in disguise.” Philip Roth, Portnoy’s Complaint 

10.  “There was a boy called Eustace Clarence Scrubb, and he almost deserved it.” C.S. Lewis, Voyage of the Dawn Treader 

*Note:  Post title is from Kurt Vonnegut’s classic, Slaughterhouse-Five 


Are You with the Banned?

Celebrating Banned Books Week,

September 30th-October 6th

Banned Books Week is currently celebrating its 30th anniversary! “Celebrating the freedom to read,” this annual event aims to raise awareness for the works of literature that are frequently challenged by and even banned from communities across the country.

Did you know that some of the best works of all time, and very often the ones you’ll have studied in school, have at one time or another been censored from the public? Did you know that the practice of censorship in literature still goes on today?

Yup, somewhere out there, a blinkered individual could actually be pondering at this very moment the dangers of a mind raised on an “occultist” story like Bridge to Terabithia, while someone of the same mindset argues that the bildungsroman The Perks of Being a Wallflower is “unsuited to a teenage audience.” Seriously.

And it’s not all Sex, by Madonna, Gossip Girl and l8r, g8r that are considered poised to corrupt our youth either. No, those are part of a tiny minority. What are the most frequently banned books? Our greatest ones, of course.

Of Random House’s list of the 100 best novels of all time, 46 classics have been either challenged or banned altogether, some on a frequent basis. Of Mice and Men is one that is commonly challenged today. Even in the last decade the list of banned books still includes To Kill a Mockingbird (for “racial themes”), Brave New World (for “insensitivity, offensive language,” and probably for being dystopian), and The Catcher in the Rye (for being “a filthy, filthy book”), proving we are far from the progressive culture we may like to think of ourselves as.

No sauciness allowed. Of all the reasons books are banned or challenged, sexual explicitness is cited the most often.

Even when it does not concern “important” works, the point at hand here is that individuals and governments consider it their right to censor what others read, and that (to me) sounds borderline Cultural Revolution/Big Brother-esque. It’s a tad hypocritical that the freedom of speech has been such a huge part of the public discourse lately, while so little thought is ever given to intellectual freedom:

Intellectual freedom can exist only where two essential conditions are met: first, that all individuals have the right to hold any belief on any subject and to convey their ideas in any form they deem appropriate, and second, that society makes an equal commitment to the right of unrestricted access to information and ideas regardless of the communication medium used, the content of work, and the viewpoints of both the author and the receiver of information.

Intellectual Freedom Manual, 7th edition

If libraries begin to ban books from the public, we’ve basically descended into a Fahrenheit 451 situation. Oh wait, that’s another banned book, so that analogy means nothing…

If a book offends you, don’t read it. But please, don’t worry that Harry Potter will turn an entire generation of kids into wand-wielding Satan worshipers. Moreover, if the people trying to censor these stories really took the time to read them, they might just realize how much more faith in humanity these “offensive” books store than the censors do themselves.

There’s a lot more out there to fear than a mind fed with imagination, fantasy, and original thought. And with that, I’ll get off my soapbox.

To see a visual history of the last thirty years of banned books, check out this great timeline from the American Library Association. It contains thirty entries between 1982′s banning of Slaughterhouse Five (a “just plain filthy” book) and 2012′s Pedagogy of the Oppressed (banned for concerning “ethnic studies”). You can also find out who’s behind most of the book challenges, and other information, in the ALA’s Statistics page.

More famous banned books:

The Hunger Games Trilogy, Reasons: sexually explicit, unsuited to age group, and violence

The Absolutely True Diary of a Part-Time Indian, Reasons: offensive language, racism, sex education, sexually explicit, unsuited to age group, and violence

My Sister’s Keeper, Reasons: homosexuality, offensive language, religious viewpoint, sexism, sexually explicit, unsuited to age group, violence

The Chocolate War, Reasons: nudity, offensive language, sexually explicit, unsuited to age group

His Dark Materials trilogy, Reasons: offensive language, sexually explicit, and unsuited to age group

What are your thoughts on banned books? Do some deserve to be taken off the shelves? If so, which ones? We’d love to hear your thoughts in a comment below!


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