This summer the Los Angeles based Troubadour Theater Company is reprising its role as masters of the Shakespearean mash up. Ladies and gentlemen, I give you A Midsummer Saturday Night’s Fever Dream.
You may have guessed it, though you might not believe it: one theater company has poured all the funk, bellbottoms, and embarrassing dance moves of 70s disco into the world’s most timeless romantic comedy ever to be written in iambic pentameter. But lest you think this is a joke, you should know that the Troubies (as they’re affectionately known round these parts) are old hands at the genre. After all, these are the folks who brought you…
OthE.L.O., Fleetwood Macbeth, As U2 Like It, and every actor’s dream Hamlet, the Artist Formerly Known as Prince of Denmark
For twenty years now, the L.A. Women’s Shakespeare Company has been staging Shakespearean plays with an entirely female ensemble. Later this year (August 17-October 4), the company will take on Shakespeare’s greatest tragedy, Hamlet, with LAWSC founder and artistic director Lisa Wolpe in the title role.
In 1993, the LAWSC was completely funded by private donations and played in the very small Hollywood Actor’s Theater. However, the company soon won a grant and were able to expand beyond the fifty-seat capacity of their original home and played larger venues. Eventually, the company was able to offer their players and support personnel a “modest stipend” but to this day, the company continues to be “volunteer-base[d]” and a “grass-roots company” even as their audiences continue to grow.
Past productions have included Romeo and Juliet (1993); Othello (1994); Richard III (1995); Much Ado About Nothing (1996); Measure for Measure (1997); Twelfth Night (2000), The Tempest (2002); The Merchant of Venice (2005); and As You Like It (2007).
So the big question: why an all-female cast? Because an all-female troupe can cause a “transformation of the perceptions of women’s roles in our society by working to create a deeper, more powerful, unbounded view of women’s potential.” Furthermore, the ”productions illuminate contemporary issues through a classical context, offering a unique political and social perspective.” The mission of LAWSC is “to provide a creative forum for the exploration of violence, victimization, power, love, race, and gender issues, and to provide positive role models for women and girls.”
The production met its $10,000 Kickstarter funding goal, but the company is hoping to raise a total of $40,000. If you would like to support this or future projects, click here. Check out the video below for a sample of Lisa Wolpe in action as Iago in Othello!