As bibliophiles can attest, we are all intrigued by the private lives of our favorite authors, often wondering about the ways that they worked creatively, and especially where they chose to write. For many, the choice was obvious, their office or bedroom – a personal space for reflection and inspiration.
At eNotes, we are really interested in embracing creativity and developing tips for success in school and work spaces. Time and time again we encounter articles noting the importance of having an organized, inspiring space to get to work. As we meditate on how to improve our own spaces, we’ve found ourselves wondering how our favorite authors might decorate their offices today. With this in mind, we created today’s blog post: A Writer’s Haven.
We’ve gone through and selected five famous authors from various time periods and have translated their individual preferences into modern takes on their offices. We had a lot of fun putting these together, and we hope you enjoy checking them out and finding inspiration for your own space. Check ‘em out below!
For Jane’s office we imagined a light and airy space with lots of natural light and creature comforts. We acknowledged her English roots and incorporate a tea pot, because we think that if any of our favorite authors would have had a tea pot in their office, it would have been her. We like to imagine that if Jane were here today, she would be a bit of an introvert, anxious to re-read the great number of books in her built-in bookcase.
Want to learn more about Jane Austen and her writing? Check out this link: http://www.enotes.com/topics/jane-austen
Celebrated Colombian author Gabriel García Márquez died today at the age of 87 after a recent hospitalization for multiple infections. His death comes two years after it was reported he was suffering from dementia.
“It is not true that people stop pursuing dreams because they grow old, they grow old because they stop pursuing dreams.”
― Gabriel García Márquez
In his extroadinary lifetime Márquez received widespread acclaim for his novels and short stories, including One Hundred Years of Solitude, Love in the Time of Cholera and Chronicle of a Death Foretold. One Hundred Years in particular became incredibly popular, selling more than 50 million copies worldwide in over 25 languages. With his works Márquez stood as an ambassador for Latin American literature, and the father of magical realism.
When he won the Nobel Prize for Literature in 1982, he dedicated his lecture to the spirit of Latin America, and revealed to the world its inextricable ties to his particular writing style:
We have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable.
Márquez is survived by his wife Mercedes and his two sons. He died at home in Mexico City. His memoirs remain unfinished.
Gabriel García Márquez Biography at eNotes
Works of Gabriel García Márquez:
and more found here.
Here’s a tip: keep some sheep leather and blue gauls handy…
Yesterday we brought you the recipes to two authors’ favorite meals, so today I give you the recipe to one authoress’ writing success: a good leather bound book and a batch of homemade ink. For those Austen enthusiasts feeling particularly crafty, here is the exact recipe for the ink Jane Austen used, provided by her sister-in-law:
Take 4 ozs of blue gauls [gallic acid, made from oak apples], 2 ozs of green copperas [iron sulphate], 1 1/2 ozs of gum arabic. Break the gauls. The gum and copperas must be beaten in a mortar and put into a pint of strong stale beer; with a pint of small beer. Put in a little refin’d sugar. It must stand in the chimney corner fourteen days and be shaken two or three times a day.
This iron gall ink would then be applied to the page with an old-fashioned quill. But on the quality of the pages themselves, Austen was quite particular. One of her favorites was “a quarto stationer’s notebook… bound with quarter tanned sheep over boards sided with marbled paper. The edges of the leaves [were] plain cut and sprinkled red.”
Better find yourself some quarter tanned sheep. No self-respecting Austenite would be caught dead without a sheep leather notebook!
The Catcher in the Rye author, who died in 2010, left instructions to publish his unseen works, including new stories featuring his most famous character Holden Caulfield.
J. D. Salinger was always a guarded artist. He kept a very small inner circle of only “seven or eight people,” says his son Matthew, outside of which nobody could have known that the author continued to write through the years, let alone that he planned to release any more of his works.
But a new documentary and accompanying book, both simply titled “Salinger,” are said to reveal both Salinger’s instructions to publish a handful of never before seen stories and details of the elusive writer’s private life. Of the latter, the documentary’s director Shane Salerno says he and writer David Shields have uncovered new details about Salinger’s mysterious first wife–Sylvia Welter, a suspected Gestapo informant–as well as the young Jean Miller (only fourteen when they met) with whom he shared a long correspondence followed by a brief relationship.
For me, those sordid details Salerno and Shields boast of leave a bad taste in my mouth. The delivery, against the wishes of Salinger’s family and close friends, gives them all the credibility and dignity of a TMZ scoop. However, the duo insist that their sources regarding the author’s plans to publish are reliable, being “independent and separate” of one another.
I came across this fantastic gallery in the Rumpus today and had to share. The artist Timothy Lee Taranto illustrates literature’s most serious authors in a less than serious light. Check out our favorite, the “Vonnugget,” below, and many more. Happy Friday!