If you happened to be in Key West, Florida during the third week of July, you may have found yourself caught in a sudden and strange upsurge in the local population of white-bearded men sporting cable-knit fishermen’s turtlenecks. You may have wondered why said men were often found gathered in the streets—donning Pamplona-red neck-scarves, their barrel-shaped midriffs squeezed into white t-shirts—or in bars wrestling the arms of pitiable strangers. You may have thought to yourself, what is this? A Hemingway convention or something?
Why, yes. Yes it is.
Each year throughout the third week of July, Ernest Hemingway enthusiasts, or at least the most genetically gifted of them, flock to the island of Key West for the largest (and presumably manliest) look-alike competition in the world. Beginning on the 21st, Hemingway’s birthday, the contest boasted nearly 150 participants this year. 150 specimens of sport-fishing, bull-running, beard-cultivating machismo.
Amidst the four-day competition, photographer Henry Hargreaves sought to replicate the iconic photograph of “Papa” Hemingway himself, taken in 1957. For this he enlisted the help of several contestants. But Hargreaves knew that the replicas would only work if the subjects delved into the mindset of the author when the original photo was taken, not an easy task given what Hemingway had just gone through at that time in his life. As Hargreaves explains it,
I told each sitter about the original shoot with Karsh: how Hemingway just returned from Africa and a terrible plane crash and was in agony; asked them to contemplate the amazing amount of pain he was in but the equally amazing focus he had to sit quietly for a portrait.
Everything came together to take them to a place of pure expression: being Hemingway, inhabiting him; looking like, even feeling like The Man himself. Just what I was after.
Oh yes, there you are, with your party hat on.
What with the recent NSA scandal, George Orwell’s dystopian caution that “Big Brother is watching you” has never seemed so relevant. In fact, sales of 1984 skyrocketed just after news broke that the US government was tapping into your average Verizon member’s mundane phone calls. So, how better to celebrate Orwell’s birthday this week than by a subtle nod to the constant gaze of the Party–complete with party hats?
Such was the idea of the Dutch artist duo Thomas Voor’t Hekke and Bas van Oerle (known collectively as “FRONT 404″). Their simple concept was to decorate the ubiquitous security cameras of Utrecht with eye-catching birthday hats.