These artists give books a second life as beautiful works of art, converting everything from outdated computing books to children’s classics into visual masterpieces, all using little more than a scalpel and some imagination. In no particular order (they’re too awesome to rank) here are the top ten artworks created from old books:
“Pandora Opens Box” by Sue Blackwell.
It is the delicacy, the slight feeling of claustrophobia, as if these characters, the landscape have been trapped inside the book all this time and are now suddenly released. A number of the compositions have an urgency about them, the choices made for the cut-out people from the illustrations seem to lean towards people on their way somewhere, about to discover something, or perhaps escaping from something. And the landscapes speak of a bleak mystery, a rising, an awareness of the air.
A landscape created out of cut up paper by Scottish artist Georgia Russell.
One of the masterfully crafted book landscapes from Canadian interdisciplinary artist (and part time anthropologist) Guy Laramée.
We are currently told that the paper book is bound to die. The library, as a place, is finished. One might ask so what? Do we really believe that “new technologies” will change anything concerning our existential dilemma, our human condition? And even if we could change the content of all the books on earth, would this change anything in relation to the domination of analytical knowledge over intuitive knowledge? What is it in ourselves that insists on grabbing, on casting the flow of experience into concepts?
Last week I caught a live show called “The Moth.” Perhaps you’ve heard of it? It’s a little like a live version of This American Life–ordinary people (some aspiring writers and performers, many not) headline a show in which they each have five minutes to tell a true story on a theme. On the night I was lucky to spectate, the theme was simply “The Deep End.” Performer after performer came to the stage to relay their amazing true tales, which could at once be heartwarming, thrilling, bitter, hilarious, somber, you name it. The stories ranged everywhere from a woman’s return from rehab, to a honeymooning couple’s view from a Nepali mountaintop, to a wife’s desperate plea to stop her husband from taking a bullet for the sake of his Native ancestry. There wasn’t a badly told story amongst them, which meant that what I took from this show was the understanding that everybody has a great story to tell. What most of us need is the guts to tell it, of course, but also the right medium through which to tell it.
For you that may be The Moth (which accepts applications to appear on its main stage year-round, by the way) or it may be by leaving a piece of your art out on the street, waiting to be discovered. It may be through Twitter, WordPress, or Instagram. The important thing is that sharing art is as creative an endeavor as making it.
And if you’re studying the arts, that’s an important lesson to take away. Don’t involve yourself merely in the admiration of others’ art. Be involved in the creation of it. You’ll find a whole new respect for the arts that you study.
Check out this calendar for a Moth show in an area near you. Who knows? Maybe you’ll have the guts to get up and tell that story that’s burning inside of you.
And if you’re in LA, I’ll see you at the Moth on the West Side this Tuesday!
Ira Glass shares advice on how to tell your story across any medium.
Ira Glass of NPR’s This American Life recorded a session about storytelling with Current TV back in 2009. The videos just popped up on my radar again recently, courtesy of the wonderfully animated version of one portion below, which inspired me to share.
I think it’s important to note that Ira’s advice isn’t on writing, but on storytelling, which applies to every creative endeavor imaginable. Whether you’re making music, crafting a radio program, taking a photograph, or engaging in any other artistic medium, you’re essentially telling your audience a story. And anyone who’s ever tried to do that will probably be familiar with the frustration Ira articulates below.
The thing I would just like to say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be. They knew it fell short. It didn’t have the special thing that we wanted it to have. And the thing I would say to you is
everybody goes through that.
So you see, you’re not alone storytellers. The only remedy is to plow through and get your story out there. Your taste will tell you when you’ve got it right.
But don’t take it from me. Take it from the melodic, dulcet, if slightly nasal tones of radio’s favorite curator, Ira Glass.